Boulezian

Monday, 25 March 2013

On Bartók's birthday...

Posted by Mark Berry at 2:30 pm
Email ThisBlogThis!Share to TwitterShare to FacebookShare to Pinterest
Labels: Bartók, Beethoven, Joseph Szigeti
Newer Post Older Post Home

About Me

Mark Berry
View my complete profile

Search This Blog

Total Pageviews

Blog Archive

  • ►  2022 (65)
    • ►  August (5)
    • ►  July (6)
    • ►  June (8)
    • ►  May (8)
    • ►  April (13)
    • ►  March (10)
    • ►  February (9)
    • ►  January (6)
  • ►  2021 (78)
    • ►  December (8)
    • ►  November (7)
    • ►  October (8)
    • ►  September (12)
    • ►  August (13)
    • ►  July (6)
    • ►  June (7)
    • ►  May (4)
    • ►  April (3)
    • ►  March (2)
    • ►  February (4)
    • ►  January (4)
  • ►  2020 (82)
    • ►  December (4)
    • ►  November (1)
    • ►  October (3)
    • ►  September (10)
    • ►  August (6)
    • ►  July (10)
    • ►  June (2)
    • ►  May (3)
    • ►  April (1)
    • ►  March (11)
    • ►  February (13)
    • ►  January (18)
  • ►  2019 (128)
    • ►  December (12)
    • ►  November (15)
    • ►  October (12)
    • ►  September (15)
    • ►  August (22)
    • ►  July (3)
    • ►  June (8)
    • ►  May (5)
    • ►  April (9)
    • ►  March (12)
    • ►  February (8)
    • ►  January (7)
  • ►  2018 (134)
    • ►  December (11)
    • ►  November (9)
    • ►  October (12)
    • ►  September (9)
    • ►  August (17)
    • ►  July (10)
    • ►  June (14)
    • ►  May (11)
    • ►  April (10)
    • ►  March (14)
    • ►  February (9)
    • ►  January (8)
  • ►  2017 (121)
    • ►  December (6)
    • ►  November (2)
    • ►  October (11)
    • ►  September (16)
    • ►  August (14)
    • ►  July (12)
    • ►  June (8)
    • ►  May (7)
    • ►  April (14)
    • ►  March (13)
    • ►  February (9)
    • ►  January (9)
  • ►  2016 (191)
    • ►  December (16)
    • ►  November (13)
    • ►  October (10)
    • ►  September (15)
    • ►  August (24)
    • ►  July (15)
    • ►  June (24)
    • ►  May (13)
    • ►  April (15)
    • ►  March (19)
    • ►  February (11)
    • ►  January (16)
  • ►  2015 (170)
    • ►  December (15)
    • ►  November (19)
    • ►  October (14)
    • ►  September (17)
    • ►  August (16)
    • ►  July (17)
    • ►  June (9)
    • ►  May (10)
    • ►  April (16)
    • ►  March (16)
    • ►  February (11)
    • ►  January (10)
  • ►  2014 (180)
    • ►  December (12)
    • ►  November (13)
    • ►  October (9)
    • ►  September (15)
    • ►  August (19)
    • ►  July (16)
    • ►  June (16)
    • ►  May (13)
    • ►  April (24)
    • ►  March (18)
    • ►  February (11)
    • ►  January (14)
  • ▼  2013 (187)
    • ►  December (19)
    • ►  November (14)
    • ►  October (18)
    • ►  September (17)
    • ►  August (10)
    • ►  July (13)
    • ►  June (20)
    • ►  May (20)
    • ►  April (15)
    • ▼  March (16)
      • Stile Antico - 'Miserere: Pentitential Music by By...
      • On Boulez's birthday, Nono's A Pierre...
      • Znaider/LSO/Honeck - Gynn, Schubert, and Brahms, 2...
      • On Bartók's birthday...
      • Nick van Bloss - Bach, Goldberg Variations, 22 Mar...
      • Written on Skin, Royal Opera, 18 March 2013
      • Die Feen, Chelsea Opera Group, 17 March 2013
      • Aurora Orchestra/Collon - Bach, St John Passion, 1...
      • Belcea Quartet - Beethoven and Haydn, 14 March 2013
      • Eugene Onegin, Royal Academy Opera, 11 March 2013
      • The Schubert Ensemble: Commissions – Watkins, Cutl...
      • Le nozze di Figaro, Guildhall, 6 March 2013
      • Tosca, Royal Opera, 4 March 2013
      • R.I.P. Elisabeth Furtwängler (1910-2013)
      • Tetzlaff Quartet - Haydn, Berg, and Beethoven, 2 M...
      • Oelze/Aimard - Schumann, Debussy, and Messiaen, 1 ...
    • ►  February (13)
    • ►  January (12)
  • ►  2012 (206)
    • ►  December (16)
    • ►  November (19)
    • ►  October (18)
    • ►  September (14)
    • ►  August (17)
    • ►  July (17)
    • ►  June (16)
    • ►  May (16)
    • ►  April (20)
    • ►  March (14)
    • ►  February (17)
    • ►  January (22)
  • ►  2011 (240)
    • ►  December (19)
    • ►  November (24)
    • ►  October (23)
    • ►  September (18)
    • ►  August (17)
    • ►  July (16)
    • ►  June (19)
    • ►  May (20)
    • ►  April (21)
    • ►  March (21)
    • ►  February (23)
    • ►  January (19)
  • ►  2010 (159)
    • ►  December (12)
    • ►  November (13)
    • ►  October (16)
    • ►  September (15)
    • ►  August (15)
    • ►  July (19)
    • ►  June (9)
    • ►  May (9)
    • ►  April (15)
    • ►  March (17)
    • ►  February (10)
    • ►  January (9)
  • ►  2009 (137)
    • ►  December (14)
    • ►  November (11)
    • ►  October (12)
    • ►  September (10)
    • ►  August (15)
    • ►  July (9)
    • ►  June (10)
    • ►  May (7)
    • ►  April (15)
    • ►  March (14)
    • ►  February (10)
    • ►  January (10)
  • ►  2008 (120)
    • ►  December (9)
    • ►  November (11)
    • ►  October (7)
    • ►  September (10)
    • ►  August (12)
    • ►  July (15)
    • ►  June (8)
    • ►  May (10)
    • ►  April (13)
    • ►  March (13)
    • ►  February (6)
    • ►  January (6)
  • ►  2007 (48)
    • ►  December (8)
    • ►  November (3)
    • ►  October (9)
    • ►  September (3)
    • ►  August (14)
    • ►  July (5)
    • ►  June (1)
    • ►  May (1)
    • ►  April (4)

Popular Posts

  • LSO/Hannigan - Strauss and Poulenc, 24 February 2022
    Barbican Hall Strauss: Metamorphosen Poulenc: La Voix humaine Barbara Hannigan, Denis Guégin, Clemens Malinowski (direction, video) Juli...
  • Why have I been suspended from the Labour Party?
    Whilst I was in Bayreuth, that hotbed of Trotskyite subversion, I heard that many friends had received their electronic ballots fo...
  • Marche fatale
    This is the way the world ends. Not with a whimper but a bang. If ever we needed proof that 2018 will bring Götterdämmerung … And who bet...
  • R.I.P. Pierre Boulez, 1925-2016: On Hearing of Boulez's Death
        Given the name of my blog, it might be to state the blindingly obvious to say that Pierre Boulez was someone I greatly adm...
  • Happy New Year!
  • Mozart's Final Symphonies: Classical and Romantic
    (This essay was written to accompany a Pentatone recording of Mozart's Symphonies nos 40 and 41 by the NDR SO and Andrew Manze and fir...
  • Barenboim/Zukerman - Beethoven, 8 March 2020
    Pierre Boulez Saal Violin Sonata no.8 in G major, op.30 no.3 Violin Sonata no.9 in A minor/major, op.47, ‘Kreutzer’ Violin Sonata ...
  • Salzburg Festival (3) - SWR SO Baden-Baden and Freiburg/Gielen: Mahler, 21 August 2013
    Grosses Festspielhaus, Salzburg Symphony no.6 in A minor SWR Symphony Orchestra Baden-Baden and Freiburg Michael Gielen (conduct...
  • The BBC asks 'Who Killed Classical Music?' It will, if it carries on like this...
    I am grateful – I think! – to Will Robin (his excellent blog may be found by clicking here ) for having drawn to my attention the following...
  • R.I.P. Sir Colin Davis, 1927-2013
        Any regular readers I may have will by now be well aware of the great esteem - that almost seems too lame a description - in whi...

My Blog List

  • Alex Ross: The Rest Is Noise
    The Schindler House at 100
  • Seen and Heard International
    Sunshine and glee from the Royal Northern Sinfonia at the Proms
  • parterre box
    Mouths to be kissed
  • 5:4
    Proms 2022: Missy Mazzoli – Violin Concerto (Procession) (European Première)
  • Iron Tongue of Midnight
    Museum Mondays
  • OperaJournal
    Donizetti - Viva la Diva
  • Likely Impossibilities
    Comps for the MM in Mastersinging
  • I'll think of something later
    And the Best Tatyana Letter Scene winners are...
  • The Rambler
    Kobe Van Cauwenberghe: Ghost Trance Septet Plays Anthony Braxton (CD review)
  • The Wagnerian
    Watch Now: PARSIFAL: Hungarian State Opera
  • On An Overgrown Path
    Towards infinite potential
  • JDCMB
    Authentic Korngold to raise the Proms roof
  • le petit concertorialiste
    Entretien avec Pierre-Jean Tribot autour de Charles Rosen
  • Think Classical
    Book Review: Blood and Iron by Katja Hoyer
  • CLASSICAL ICONOCLAST
    From Macau through China, India and Burma: Hong Kong Portuguse in the Chindits. By Anne Ozorio
  • Devil's Trill
    Sleeping Forever Beneath the Dry Earth (Part 5)
  • Manoj Kamps
    Protected: Temporary post
  • OPERA OBSESSION
    Semi-Scholarly Summary: Bringing Back Euridice
  • Fatal Conclusions
    Komische Oper Berlin: Don Giovanni
  • I HEAR VOICES
    Mozart’s Don Giovanni, Staatsoper im Schiller Theater, 30.06.2012
Copyright: Mark Berry. Simple theme. Powered by Blogger.