Boulezian

Tuesday, 2 April 2013

Henze, Wagner, and German Musical Culture

Posted by Mark Berry at 4:30 pm
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: Der Prinz von Homburg, Henze, Natascha Ungeheuer, The Bassarids, Wagner
Newer Post Older Post Home

About Me

Mark Berry
View my complete profile

Search This Blog

Total Pageviews

Blog Archive

  • ►  2024 (92)
    • ►  November (5)
    • ►  October (5)
    • ►  September (8)
    • ►  August (10)
    • ►  July (13)
    • ►  June (5)
    • ►  May (10)
    • ►  April (2)
    • ►  March (12)
    • ►  February (8)
    • ►  January (14)
  • ►  2023 (105)
    • ►  December (8)
    • ►  November (3)
    • ►  October (12)
    • ►  September (6)
    • ►  August (12)
    • ►  July (11)
    • ►  June (9)
    • ►  May (9)
    • ►  April (11)
    • ►  March (9)
    • ►  February (11)
    • ►  January (4)
  • ►  2022 (93)
    • ►  December (5)
    • ►  November (5)
    • ►  October (5)
    • ►  September (8)
    • ►  August (10)
    • ►  July (6)
    • ►  June (8)
    • ►  May (8)
    • ►  April (13)
    • ►  March (10)
    • ►  February (9)
    • ►  January (6)
  • ►  2021 (78)
    • ►  December (8)
    • ►  November (7)
    • ►  October (8)
    • ►  September (12)
    • ►  August (13)
    • ►  July (6)
    • ►  June (7)
    • ►  May (4)
    • ►  April (3)
    • ►  March (2)
    • ►  February (4)
    • ►  January (4)
  • ►  2020 (82)
    • ►  December (4)
    • ►  November (1)
    • ►  October (3)
    • ►  September (10)
    • ►  August (6)
    • ►  July (10)
    • ►  June (2)
    • ►  May (3)
    • ►  April (1)
    • ►  March (11)
    • ►  February (13)
    • ►  January (18)
  • ►  2019 (128)
    • ►  December (12)
    • ►  November (15)
    • ►  October (12)
    • ►  September (15)
    • ►  August (22)
    • ►  July (3)
    • ►  June (8)
    • ►  May (5)
    • ►  April (9)
    • ►  March (12)
    • ►  February (8)
    • ►  January (7)
  • ►  2018 (134)
    • ►  December (11)
    • ►  November (9)
    • ►  October (12)
    • ►  September (9)
    • ►  August (17)
    • ►  July (10)
    • ►  June (14)
    • ►  May (11)
    • ►  April (10)
    • ►  March (14)
    • ►  February (9)
    • ►  January (8)
  • ►  2017 (121)
    • ►  December (6)
    • ►  November (2)
    • ►  October (11)
    • ►  September (16)
    • ►  August (14)
    • ►  July (12)
    • ►  June (8)
    • ►  May (7)
    • ►  April (14)
    • ►  March (13)
    • ►  February (9)
    • ►  January (9)
  • ►  2016 (191)
    • ►  December (16)
    • ►  November (13)
    • ►  October (10)
    • ►  September (15)
    • ►  August (24)
    • ►  July (15)
    • ►  June (24)
    • ►  May (13)
    • ►  April (15)
    • ►  March (19)
    • ►  February (11)
    • ►  January (16)
  • ►  2015 (170)
    • ►  December (15)
    • ►  November (19)
    • ►  October (14)
    • ►  September (17)
    • ►  August (16)
    • ►  July (17)
    • ►  June (9)
    • ►  May (10)
    • ►  April (16)
    • ►  March (16)
    • ►  February (11)
    • ►  January (10)
  • ►  2014 (179)
    • ►  December (12)
    • ►  November (13)
    • ►  October (9)
    • ►  September (15)
    • ►  August (19)
    • ►  July (16)
    • ►  June (16)
    • ►  May (12)
    • ►  April (24)
    • ►  March (18)
    • ►  February (11)
    • ►  January (14)
  • ▼  2013 (187)
    • ►  December (19)
    • ►  November (14)
    • ►  October (18)
    • ►  September (17)
    • ►  August (10)
    • ►  July (13)
    • ►  June (20)
    • ►  May (20)
    • ▼  April (15)
      • Hannigan/LPO/Jurowski: Webern, Berg, Bartók, and M...
      • Royal Academy of Music/BBC SO/Denève - Poulenc and...
      • Götterdämmerung, Berlin Staatsoper, 21 April 2013
      • Die Feen, Oper Leipzig, 20 April 2013
      • La finta giardiniera - Die Pforten der Liebe, Staa...
      • Siegfried, Staatsoper Berlin, 18 April 2013
      • Die Zauberflöte, Royal Opera, 16 April 2013
      • R.I.P. Sir Colin Davis, 1927-2013
      • Letter to Glenda Jackson, MP, 12 April 2013
      • Andsnes - Beethoven, Bartók, Chopin and Liszt, 10 ...
      • Kairos Quartet/Experimental Studio des SWR: Haas, ...
      • BCMG/Benjamin - Into the Little Hill, with works b...
      • Anderszewski/LSO/Znaider - Mozart and Mahler, 4 Ap...
      • Igor Levit - Bach, Beethoven, Schubert, Liszt, and...
      • Henze, Wagner, and German Musical Culture
    • ►  March (16)
    • ►  February (13)
    • ►  January (12)
  • ►  2012 (206)
    • ►  December (16)
    • ►  November (19)
    • ►  October (18)
    • ►  September (14)
    • ►  August (17)
    • ►  July (17)
    • ►  June (16)
    • ►  May (16)
    • ►  April (20)
    • ►  March (14)
    • ►  February (17)
    • ►  January (22)
  • ►  2011 (240)
    • ►  December (19)
    • ►  November (24)
    • ►  October (23)
    • ►  September (18)
    • ►  August (17)
    • ►  July (16)
    • ►  June (19)
    • ►  May (20)
    • ►  April (21)
    • ►  March (21)
    • ►  February (23)
    • ►  January (19)
  • ►  2010 (159)
    • ►  December (12)
    • ►  November (13)
    • ►  October (16)
    • ►  September (15)
    • ►  August (15)
    • ►  July (19)
    • ►  June (9)
    • ►  May (9)
    • ►  April (15)
    • ►  March (17)
    • ►  February (10)
    • ►  January (9)
  • ►  2009 (137)
    • ►  December (14)
    • ►  November (11)
    • ►  October (12)
    • ►  September (10)
    • ►  August (15)
    • ►  July (9)
    • ►  June (10)
    • ►  May (7)
    • ►  April (15)
    • ►  March (14)
    • ►  February (10)
    • ►  January (10)
  • ►  2008 (120)
    • ►  December (9)
    • ►  November (11)
    • ►  October (7)
    • ►  September (10)
    • ►  August (12)
    • ►  July (15)
    • ►  June (8)
    • ►  May (10)
    • ►  April (13)
    • ►  March (13)
    • ►  February (6)
    • ►  January (6)
  • ►  2007 (48)
    • ►  December (8)
    • ►  November (3)
    • ►  October (9)
    • ►  September (3)
    • ►  August (14)
    • ►  July (5)
    • ►  June (1)
    • ►  May (1)
    • ►  April (4)

Popular Posts

  • LSO/Hannigan - Strauss and Poulenc, 24 February 2022
    Barbican Hall Strauss: Metamorphosen Poulenc: La Voix humaine Barbara Hannigan, Denis Guégin, Clemens Malinowski (direction, video) Juli...
  • Why have I been suspended from the Labour Party?
    Whilst I was in Bayreuth, that hotbed of Trotskyite subversion, I heard that many friends had received their electronic ballots fo...
  • Richard Wagner and Pierre Boulez's Conception of Opera
    Yesterday marked the first anniversary of the death of Pierre Boulez . The 'Opera and Musical Performance' forum of the Modern Lan...
  • Marche fatale
    This is the way the world ends. Not with a whimper but a bang. If ever we needed proof that 2018 will bring Götterdämmerung … And who bet...
  • R.I.P. Pierre Boulez, 1925-2016: On Hearing of Boulez's Death
        Given the name of my blog, it might be to state the blindingly obvious to say that Pierre Boulez was someone I greatly adm...
  • Barenboim/Zukerman - Beethoven, 8 March 2020
    Pierre Boulez Saal Violin Sonata no.8 in G major, op.30 no.3 Violin Sonata no.9 in A minor/major, op.47, ‘Kreutzer’ Violin Sonata ...
  • Happy New Year!
  • Mozart's Final Symphonies: Classical and Romantic
    (This essay was written to accompany a Pentatone recording of Mozart's Symphonies nos 40 and 41 by the NDR SO and Andrew Manze and fir...
  • Salzburg Festival (3) - SWR SO Baden-Baden and Freiburg/Gielen: Mahler, 21 August 2013
    Grosses Festspielhaus, Salzburg Symphony no.6 in A minor SWR Symphony Orchestra Baden-Baden and Freiburg Michael Gielen (conduct...
  • The BBC asks 'Who Killed Classical Music?' It will, if it carries on like this...
    I am grateful – I think! – to Will Robin (his excellent blog may be found by clicking here ) for having drawn to my attention the following...

My Blog List

  • parterre box
    Madama Butterfly
  • I'll think of something later
    Dear Child: active compassion overcomes horror
  • Seen and Heard International
    Tenor Jonathan Tetelman injects the necessary flair into San Francisco Opera’s Carmen
  • 5:4
    Fermata HCMF
  • Iron Tongue of Midnight
    Conductor Updates
  • I HEAR VOICES
    Handel’s Ariodante, Opéra du Rhin, Strasbourg, 13.11.2024
  • OperaJournal
    Donizetti - Le convenienze ed inconvenienze teatrali (Wexford, 2024)
  • On An Overgrown Path
    Look - no hype!
  • The Rambler
    Delayed memorial: Chas Smith
  • le petit concertorialiste
    L. Geniušas, Schubert, Rachmaninov, Cortot 06/12/2023
  • The Wagnerian
    Wagner Was A Socialble Chap: Now On Bluesky
  • Alex Ross: The Rest Is Noise
    Lahti
  • Manoj Kamps
    One Little Pill
  • Likely Impossibilities
    Comps for the MM in Mastersinging
  • JDCMB
    Authentic Korngold to raise the Proms roof
  • Think Classical
    Book Review: Blood and Iron by Katja Hoyer
  • CLASSICAL ICONOCLAST
    From Macau through China, India and Burma: Hong Kong Portuguse in the Chindits. By Anne Ozorio
  • Devil's Trill
    Sleeping Forever Beneath the Dry Earth (Part 5)
  • OPERA OBSESSION
    Semi-Scholarly Summary: Bringing Back Euridice
  • Fatal Conclusions
    Komische Oper Berlin: Don Giovanni
Copyright: Mark Berry. Simple theme. Powered by Blogger.