Friday, 22 November 2013

For St Cecilia's Day


 
 
The patron saint of musicians (pictured, courtesy of Raphael) has found herself especially favoured by English composers. One of the greatest odes to her is that by Handel, that greatest of honorary Englishmen, to a text by Dryden. (If only we heard more of his oratorios and choral works, and somewhat less of his operas: fine music but, more often than not, dramatically uninvolving.) The finest recording I know of Handel’s 1739 Ode for St Cecilia’s Day is conducted by today’s centenary birthday boy, Benjamin Britten, at what I think - though I shall be happily corrected - was the celebratory opening concert of the Queen Elizabeth Hall in 1967.
 
 
Alas, I cannot find an excerpt on Youtube or another such site, so here instead is a refreshing performance of the glorious final chorus, ‘As from the power of sacred lays,’ from a young Tuscan choir and orchestra. The Italianate charm of the younger Handel’s music never left his work, and how refreshing it is to come across musicians being able to treat it as music, rather than as a pseudo-archaeological exercise replete with inspectors and enforcers from the non-vibrato Taliban.
 
 
 
 
Handel’s work, in this and many other cases, owed a great deal to Purcell, perhaps the greatest English composer of all. Certainly no composer, not even Britten, has set the English language with greater facility. The late Sir Charles Mackerras’s joyous recording of Purcell’s 1692 Hail! Bright Cecilia has never been equalled, let alone surpassed, though Sir Michael Tippett’s earlier recording offers a splendidly characterful alternative. Amazon links to all three of recordings may be found below.




1 comment:

Michael Teager said...

"...a pseudo-archaeological exercise replete with inspectors and enforcers from the non-vibrato Taliban."

If a better phrase was written in 2013, I have yet to read it.

I'll have to include this the next time I discuss period performance practice with students.